Posts Tagged ‘Gianfranco Parolini’
Apparently there was a very succesful ‘Kommissar X’ festival in Germany at the end of September, hosted by the chaps at Buio Omega. Tony Kendall, Brad Harris and Gianfranco Parolini were all there, and in good form by the sound of it. There’s a report and some pictures on the German language Brad Harris website [...]
We Are No Angels continues in much the same vein as Gainfranco Parolini’s previous film, This Time I’ll Make You Rich, which also featured an odd couple of protagonists caught up in a slapstick adventure.
When a gang of bandits steal the safe from the bank in Daugherty City, it leaves all the townsfolk penniless and understandably angry. So they’re rather appreciative when it’s brought back by the mysterious Sabata (Lee Van Cleef), an inscrutable pistolero with dubious motivations.
After dabbling with the spy film in Cave of Diamonds, Gianfranco Parolini turned to another genre that was just coming into vogue, the spaghetti western. Although undoubtedly a flawed film, Johnny West does hint at the much better westerns that he’d go on to make.
The Old Testament was the final of the three peplums made by Gianfranco Parolini in Yugoslavia for Cinematografica Associati and the French company Comptoir Français du Film Production.
Hey, here’s some great behind the scenes footage from the shooting of This Time I’ll Make You Rich; you can see Gianfranco Parolini shooting it, Brad Harris doing some stuntwork and Karin Schubert in a leotard. It’s a documentary about Run Run Shaw productions (the co-producers of this one)…
Clip One (zoom to about 9 [...]
Hey, here’’s some great behind the scenes footage from the shooting of This Time I”ll Make You Rich; you can see Gianfranco Parolini shooting it, Brad Harris doing some stuntwork and Karin Schubert in a leotard. It’’s a documentary about Run Run Shaw productions (the co-producers of this one)…
Clip One (zoom to about 9 [...]
An interesting interview with Gianfranco Parolini has been posted up on the European Film Review forum…
Gianfranco Parolini interview