{"id":2209,"date":"2010-09-14T12:55:26","date_gmt":"2010-09-14T12:55:26","guid":{"rendered":"http:\/\/www.thewildeye.co.uk\/blog\/?p=2209"},"modified":"2010-09-16T12:48:33","modified_gmt":"2010-09-16T12:48:33","slug":"a-history-of-italian-cinema-by-peter-bondanella","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/latest-news-about-books-and-magazines-about-italian-cinema\/a-history-of-italian-cinema-by-peter-bondanella\/","title":{"rendered":"A History of Italian Cinema by Peter Bondanella"},"content":{"rendered":"<figure id=\"attachment_2210\" aria-describedby=\"caption-attachment-2210\" style=\"width: 240px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/bondanella.jpg\" ><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-2210 \" title=\"bondanella\" src=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/bondanella.jpg\" alt=\"A History of Italian Cinema by Peter Bondanella\" width=\"240\" height=\"240\" srcset=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/bondanella.jpg 300w, http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/bondanella-51x51.jpg 51w, http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/bondanella-88x88.jpg 88w\" sizes=\"(max-width: 240px) 100vw, 240px\" \/><\/a><figcaption id=\"caption-attachment-2210\" class=\"wp-caption-text\">A History of Italian Cinema by Peter Bondanella<\/figcaption><\/figure>\n<p>Just picked up this book from a Waterstones in Bournemouth, of all places.\u00a0 Way back in 1984, or something like that, Bondanella wrote <a href=\"http:\/\/www.amazon.co.uk\/gp\/product\/0826412475?ie=UTF8&amp;tag=thwiey-21&amp;linkCode=as2&amp;camp=1634&amp;creative=6738&amp;creativeASIN=0826412475\" onclick=\"javascript:_gaq.push(['_trackEvent','outbound-article','http:\/\/www.amazon.co.uk']);\" target=\"_blank\">Italian Cinema: From Neorealism to the Present<\/a>, which is still the essential textbook when it comes to the history of Italian cinema.\u00a0 However, as with just about all film criticism from that period, it suffered from the fact that it treated popular or genre cinema as a curiosity, rather than an integral and important element of cinema history in its own right.<\/p>\n<p>Bondanella&#8217;s happy to acknowledge as much, and <a href=\"http:\/\/www.amazon.co.uk\/gp\/product\/1441160698?ie=UTF8&amp;tag=thwiey-21&amp;linkCode=as2&amp;camp=1634&amp;creative=6738&amp;creativeASIN=1441160698\" onclick=\"javascript:_gaq.push(['_trackEvent','outbound-article','http:\/\/www.amazon.co.uk']);\" target=\"_blank\">A History of Italian Cinema<\/a> is partly a re-write of the previous book, partly an opening out of it.\u00a0 There&#8217;s still a lot of neo-realism, which is still seen as the key Italian film movement (albeit one that wasn&#8217;t quite so iconoclastic or novel as generally supposed), but this is accompanied by lengthy discussions on genres such as peplums, westerns, poliziotteschi and gothic horror.\u00a0 Similarly, his examination of Italian comedy films actually includes a section on Franco &amp; Ciccio.<\/p>\n<p>I haven&#8217;t had the chance to read much of it, just the section on peplums so far.\u00a0 It&#8217;s limited, being mainly an introduction and a a discussion on six of the major peplum films (Hercules, Hercules Unchained, Hercules and the Captive Women, Samson and the Seven Miracles of the World, Hercules in the Centre of the Earth and Maciste in Hell).\u00a0 If brief, it&#8217;s interesting, and certainly more so than the cursory treatments of the genre to be found most of the other similar books around at the moment.\u00a0 Bondanella also scores points for writing in a simple, direct style that&#8217;s eminently readable (as opposed to the jargon-riddled drivel that seems to be the style of choice for film academics).<\/p>\n<p>Anyway, you can pick it up for <a href=\"http:\/\/www.amazon.co.uk\/gp\/product\/1441160698?ie=UTF8&amp;tag=thwiey-21&amp;linkCode=as2&amp;camp=1634&amp;creative=6738&amp;creativeASIN=1441160698\" onclick=\"javascript:_gaq.push(['_trackEvent','outbound-article','http:\/\/www.amazon.co.uk']);\" target=\"_blank\">just over a tenner from Amazon<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Just picked up this book from a Waterstones in Bournemouth, of all places.  Way back in 1984, or something like that, Bondanella wrote Italian Cinema: From Neorealism to the Present, which is still the essential textbook when it comes to the history of Italian cinema. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[838],"tags":[836],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2209"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=2209"}],"version-history":[{"count":3,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2209\/revisions"}],"predecessor-version":[{"id":2218,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2209\/revisions\/2218"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=2209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=2209"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=2209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}