{"id":2380,"date":"2011-02-15T13:54:24","date_gmt":"2011-02-15T13:54:24","guid":{"rendered":"http:\/\/www.thewildeye.co.uk\/blog\/?p=2380"},"modified":"2011-02-15T13:56:22","modified_gmt":"2011-02-15T13:56:22","slug":"a-quiet-life","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/latest-news\/a-quiet-life\/","title":{"rendered":"A Quiet Life"},"content":{"rendered":"<p>Another one that passed me by last year, not sure why &#8211; this has a story and cast that means it&#8217;s of some interest.\u00a0 According to Cineuropa:<\/p>\n<p style=\"padding-left: 30px;\">The Italian actor of the moment, Toni Servillo plays Rosario, a chef hiding a criminal past in Claudio Cupellini\u2019s Italian-German co-production <strong>A Quiet Life<\/strong>, which hits Italian screens November 5 though 01 Distribution and will be released in Germany in early 2011.<\/p>\n<p style=\"padding-left: 30px;\">Rosario, who\u2019s been living in Germany for 12 years, &#8220;is a man in hiding, a hunted animal seeking shelter in a lair made up of three different languages that he speaks: Italian, with his employees; German, with his new family, his wife and their son; and Neapolitan with the son that appears from the past and threatens his new life,\u201d said the actor, who was born a few kilometres from Naples and stars in French director Nicole Garcia\u2019s <strong>Un Balcon sur la mer<\/strong> (coming out domestically on December 15 through EuropaCorp).<\/p>\n<p style=\"padding-left: 30px;\">Beneath the white uniform of the cook with the quiet life lies a former killer who hoped he had put violence behind him, &#8220;but Rosario lives in constant terror of being found out, because you can\u2019t run away from your past. The story, which centres around fatherhood, is classical, a tragedy&#8221;.<\/p>\n<p style=\"padding-left: 30px;\">Cupellini, making his second film<strong> Chocolate Lessons, <\/strong>shot A Quiet Life with great skill and a partly German crew, in the style of a thriller based on current events. But, says the director, his intention was to \u201cdepict an existential theme typical to modern stories: man\u2019s duplicity&#8221;.<\/p>\n<p style=\"padding-left: 30px;\">The film, which may be selected in the upcoming Berlinale\u2019s Panorama section, was produced by Fabrizio Mosca for Acaba Produzioni (<strong>Nuovomondo<\/strong>, <strong>Galantuomini<\/strong>) with EOS Entertainment and France\u2019s Babe Films. Mosca has a lot of faith in the capacities of the film\u2019s international seller, Beta Cinema, which is taking <strong>A Quiet Life<\/strong> to the American Film Market, which opens tomorrow.<\/p>\n<p>So it sounds like this might be one that actually gets an international release at some point in the future.<br \/>\n<object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"640\" height=\"390\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"allowFullScreen\" value=\"true\" \/><param name=\"allowscriptaccess\" value=\"always\" \/><param name=\"src\" value=\"http:\/\/www.youtube.com\/v\/chJoBwDEhXw?fs=1&amp;hl=en_GB&amp;rel=0\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"640\" height=\"390\" src=\"http:\/\/www.youtube.com\/v\/chJoBwDEhXw?fs=1&amp;hl=en_GB&amp;rel=0\" allowscriptaccess=\"always\" allowfullscreen=\"true\"><\/embed><\/object><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Another one that passed me by last year, not sure why &#8211; this has a story and cast that means it&#8217;s of some interest.  <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[228],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2380"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=2380"}],"version-history":[{"count":3,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2380\/revisions"}],"predecessor-version":[{"id":2382,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2380\/revisions\/2382"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=2380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=2380"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=2380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}