{"id":2435,"date":"2011-03-03T12:27:55","date_gmt":"2011-03-03T12:27:55","guid":{"rendered":"http:\/\/www.thewildeye.co.uk\/blog\/?p=2435"},"modified":"2011-03-03T12:27:55","modified_gmt":"2011-03-03T12:27:55","slug":"joe-robinson","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/performers-directors\/joe-robinson\/","title":{"rendered":"Joe Robinson"},"content":{"rendered":"<figure id=\"attachment_2436\" aria-describedby=\"caption-attachment-2436\" style=\"width: 200px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/joe-robinson.jpg\" ><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-2436\" title=\"joe robinson\" src=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/joe-robinson.jpg\" alt=\"Joe Robinson in Barabbas\" width=\"200\" height=\"250\" srcset=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/joe-robinson.jpg 200w, http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/joe-robinson-70x88.jpg 70w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-2436\" class=\"wp-caption-text\">Joe Robinson in Barabbas<\/figcaption><\/figure>\n<p>Born in Newcastle in 1927, Joe Robinson is an actor and stuntman who appeared in several films over a thirty year span from the mid 1950s.\u00a0 He&#8217;s probably best known for his appearance in <strong>Diamond are Forever<\/strong> (71), in which he has a notable fight sequence with Sean Connery, but his career is a lot more interesting than just that, and &#8211; most interestingly as far as TheWildEye is concerned &#8211; included a brief stretch as a star of Italian peplums.<\/p>\n<p>Robinson started out as a wrestler, winning the European Heavyweight Championship in 1952, but his interest in acting led him to study at the renound Rada in London.\u00a0 He soon began appearing in musicals, and made his film debut in 1955 with a brief role in <strong>A Kid for Two Farthings<\/strong>.\u00a0 Further parts followed, generally making use of his impressive physique and featuring him as an athlete, wrestler or general big dude.<\/p>\n<p>In 1960, he was invited to Rome to take part in in the big budget Dino De Laurentiis production <strong>Barabbas <\/strong>(61) and, while there, he had a small (but very visible) role in Mario Bava&#8217;s excellent <strong>Fury of the Vikings<\/strong> (61). This was a period in which bodybuilders were in great demand in Cinecitta, though, and he was also the protagonist opposite Yoko Tani and Akim Tamiroff in <strong>Ursus and the Tartar Princess<\/strong> (61).\u00a0 In 1963, he starred with another Brit, Harry Baird, in <strong>Taur the Mighty<\/strong> and it&#8217;s sequel, <strong>Women Gladiators<\/strong> (63), both of which were directed by Antonio Leonviola.\u00a0 None of his peplums were particularly big budget or high profile, but they were relatively succesful and he made for an appealing star.<\/p>\n<p>As he says: &#8220;I played all kinds of roles \u2013 Vikings, Nazis, you name it \u2013 but I turned down the part of the &#8216;gong man&#8217; for J Arthur Rank because I thought it would typecast me.&#8221;<\/p>\n<p>Unfortunately, with the demise of the peplums in the mid 60s, work in Italy dried up, and he shifted focus to his as a stuntman and actor on TV series such as <strong>The Avengers<\/strong> and <strong>The Saint<\/strong>.\u00a0 After retiring from acting, he moved to Brighton, where he opened a martial arts centre.\u00a0 In 1998 he made headlines for fighting off a group of eight muggers armed with baseball bats and knives while on holiday in South Africa (he poleaxed two with flying kicks, karate chopped another in the chest and broke anothers arm&#8230; the rest of them fled!)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Born in Newcastle in 1927, Joe Robinson is an actor and stuntman who appeared in several films over a thirty year span from the mid 1950s.  <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[7],"tags":[876],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2435"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=2435"}],"version-history":[{"count":2,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2435\/revisions"}],"predecessor-version":[{"id":2438,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2435\/revisions\/2438"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=2435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=2435"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=2435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}