{"id":2493,"date":"2011-04-07T15:51:33","date_gmt":"2011-04-07T15:51:33","guid":{"rendered":"http:\/\/www.thewildeye.co.uk\/blog\/?p=2493"},"modified":"2011-04-07T15:56:42","modified_gmt":"2011-04-07T15:56:42","slug":"sotto-il-vestito-niente-lultima-sfilata","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/latest-news\/sotto-il-vestito-niente-lultima-sfilata\/","title":{"rendered":"Sotto il Vestito Niente &#8211; L&#8217;Ultima Sfilata"},"content":{"rendered":"<figure id=\"attachment_2496\" aria-describedby=\"caption-attachment-2496\" style=\"width: 172px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/sotto-il-vestito.jpg\" ><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-2496\" title=\"sotto il vestito\" src=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/sotto-il-vestito.jpg\" alt=\"Sotto il Vestito Niente - L'Ultima Sfilata\" width=\"172\" height=\"246\" srcset=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/sotto-il-vestito.jpg 172w, http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/sotto-il-vestito-61x88.jpg 61w\" sizes=\"(max-width: 172px) 100vw, 172px\" \/><\/a><figcaption id=\"caption-attachment-2496\" class=\"wp-caption-text\">Sotto il Vestito Niente - L&#39;Ultima Sfilata<\/figcaption><\/figure>\n<p>Here&#8217;s a new Italian giallo from a familiar face: <strong>Sotto il Vestito Niente &#8211; L&#8217;Ultima Sfilata<\/strong>, directed by Carlo Vanzina.\u00a0 Sounds familiar?\u00a0 Well, yes, so it might well do&#8230;\u00a0 way back in 1985 a certain Carlo Vanzina released a thriller called, um, <strong>Sotto il Vestito Niente<\/strong>, which was released internationally as <em>Nothing Underneath<\/em>.\u00a0 It wasn&#8217;t bad, as it goes, certainly one of the better of the late period giallos, and it was succesful enough to spawn a sequel, <strong>Sotto il vestito niente 2<\/strong> (aka <em>Too Beautiful to Die<\/em>), which was directed by Dario Piana (who recently made the not bad <strong>The Deaths of Ian Stone<\/strong>).<\/p>\n<p>In the meantime, of course, Vanzina has gone on to become one of the most bankable directors of Italian comedies around, which makes it a bit of a suprise for him to suddenly return to more dramatic fare, although perhaps it should be remembered that his dad, Stefano Vanzina, was another famed comedy filmmaker who also found the time to make the gritty cop film <strong>From the Police with Thanks<\/strong>, so maybe he&#8217;s just following in the family tradition of confounding expectations.\u00a0 <strong>Sotto il Vestito Niente &#8211; L&#8217;Ultima Sfilata <\/strong>is apparently a &#8216;reboot&#8217; of the original film, rather than a simple remake.\u00a0 According to Cineurop:<\/p>\n<p style=\"padding-left: 30px;\">&#8220;In a period of comedy intoxication, we wanted to make audiences feel  something, scare them and entertain them with tools other than  laughter,\u201d says Enrico Vanzina, co-writer of the script with his brother  Carlo, who directs, and <strong>Franco Ferrini<\/strong>, who was written films for Dario Argento.<\/p>\n<p style=\"padding-left: 30px;\">Shot in Italy, Sweden and Switzerland, this blend of crime story-dark  fairy tale-family drama interweaves three stories. The first is a police  detective (the ironic <strong>Francesco Montanari<\/strong>, &#8220;Libanese&#8221; from the popular TV series Romanzo Criminale) investigating the mysterious death of a top model.<\/p>\n<p style=\"padding-left: 30px;\">Then there\u2019s a young woman (Italian-American model <strong>Vanessa Hessler<\/strong>) debuting in the bewitching and cruel world of fashion. Lastly, a renowned fashion designer (<strong>Richard E. Grant<\/strong>, of Robert Altman\u2019s <em>Pr\u00eat-\u00e0-Porter<\/em>) has all kinds of skeletons in his closet.<\/p>\n<p style=\"padding-left: 30px;\">The proceedings are teeming with film references dear to the Vanzinas,  from Hitchcock to Preminger, Stieg Larsson\u2019s Millennium trilogy (&#8220;A  source of inspiration\u201d according to the director) and the crime novels  of Camilla Lackberg. In fact, the film\u2019s last scenes were shot in  Fjallbacka, the Swedish setting of the writer\u2019s novels.<\/p>\n<p style=\"padding-left: 30px;\">Filmgoers who like a lot of blood, however, will be disappointed. &#8220;We  wanted to avoid the most violent aspects&#8221;, says Carlo Vanzina. &#8220;We  preferred focusing on the plot, on the mechanism of \u2018Let\u2019s try and guess  who the killer is.\u2019 Which is also why we didn\u2019t include a love story.\u201d<\/p>\n<p style=\"padding-left: 30px;\">&#8220;The first <em>Sotto il vestito niente<\/em> was a supernatural thriller, a la Brian De Palma&#8221;, adds Ferrini. &#8220;This film is more realistic, more mature, more European&#8221;.<\/p>\n<p><strong>Sotto il Vestito Niente &#8211; L&#8217;Ultima Sfilata<\/strong> opened on 350 screens, but didn&#8217;t do hugely well, making just over \u20ac360,000, and it&#8217;s now showing on about 130 screens, which is quite a drop.\u00a0 Whatever the case, it sounds interesting, and there&#8217;s a neat cast (I can just see Richard E. Grant becoming a new millenial version of Donald Pleasence, popping up in weird films all over the place, not really acting but always being a welcome, hammy presence)<\/p>\n<p>Here&#8217;s the trailer (Italian only)<\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" width=\"560\" height=\"349\" src=\"http:\/\/www.youtube.com\/embed\/a_Ahwcu1Yuc?rel=0\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here&#8217;s a new Italian giallo from a familiar face: Sotto il Vestito Niente &#8211; L&#8217;Ultima Sfilata, directed by Carlo Vanzina.  <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[888,889],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2493"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=2493"}],"version-history":[{"count":4,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2493\/revisions"}],"predecessor-version":[{"id":2495,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2493\/revisions\/2495"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=2493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=2493"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=2493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}