{"id":2549,"date":"2011-05-17T13:11:08","date_gmt":"2011-05-17T13:11:08","guid":{"rendered":"http:\/\/www.thewildeye.co.uk\/blog\/?p=2549"},"modified":"2011-05-17T13:11:08","modified_gmt":"2011-05-17T13:11:08","slug":"dracula-terrore-doltre-tomba","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/articles\/dracula-terrore-doltre-tomba\/","title":{"rendered":"Dracula terrore d&#8217;oltre tomba"},"content":{"rendered":"<p>Grifo International Films (Rome)<br \/>\nDocuments dates 24 March, 1973<br \/>\nDirector: Luigi Batzella (Paolo Solvay)<br \/>\nAssistant director: Teobaldo Campanelli<br \/>\nProduction director: Giulio Negri<br \/>\nProduction inspector: Roberto Carnicci<br \/>\nCast: Dino Strano (the commissioner), Rosalba Neri (Sara), Gianni Pesola  (Steven), Katia Cardinali (Miriam), Ralph Zucker (Simone), Lorenzo  Piani (newspaper editor), Alessandro Perrella (police sergeant),  Esmerelda Barros (Von Berger), Gino Turini (Dracula)<\/p>\n<p>Another film that was never made (or never released, at any rate).\u00a0 Announced by production company Grifo International Films, who also made the extremely poor <strong>His Colt, Himself, His Revenge<\/strong> (<em>Allegri becchini&#8230; arriva Trinit\u00e0, 72<\/em>), <strong>Dracula terrore d&#8217;oltre tomba <\/strong>was to be the next film made by Paolo Solvay after <strong>The Devil&#8217;s Wedding Night <\/strong>(<em>Il plenilunio delle vergini, 73<\/em>).\u00a0 The cast was made up of the usual mish-mash of performers who appeared in this kind of thing: Neri, Strano, Turini, Piani and Perrella all appeared in one or both of the aforementioned films. It&#8217;s interesting to note the presence of Giulio Giuseppe Negri (aka Jerry Mason) as production director; Negri was another of the bottom feeders in the Italian film industry at the time whose career is probably under-represented in official sources&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Another unreleased \/ unfinished film&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[324],"tags":[897,900,898,502,899],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2549"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=2549"}],"version-history":[{"count":1,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2549\/revisions"}],"predecessor-version":[{"id":2550,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/2549\/revisions\/2550"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=2549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=2549"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=2549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}