{"id":3051,"date":"2012-05-02T09:46:40","date_gmt":"2012-05-02T09:46:40","guid":{"rendered":"http:\/\/www.thewildeye.co.uk\/blog\/?p=3051"},"modified":"2012-05-02T12:37:59","modified_gmt":"2012-05-02T12:37:59","slug":"la-casa-nel-vento-dei-morti","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/latest-news\/la-casa-nel-vento-dei-morti\/","title":{"rendered":"La casa nel vento dei morti"},"content":{"rendered":"<figure id=\"attachment_3053\" aria-describedby=\"caption-attachment-3053\" style=\"width: 250px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/La-Casa-nel-vento-dei-morti-Poster.jpg\" ><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-3053\" title=\"La Casa nel vento dei morti Poster\" src=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/La-Casa-nel-vento-dei-morti-Poster.jpg\" alt=\"La Casa nel vento dei morti\" width=\"250\" height=\"357\" srcset=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/La-Casa-nel-vento-dei-morti-Poster.jpg 250w, http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/La-Casa-nel-vento-dei-morti-Poster-61x88.jpg 61w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/a><figcaption id=\"caption-attachment-3053\" class=\"wp-caption-text\">La Casa nel vento dei morti<\/figcaption><\/figure>\n<p>Holy heck, here&#8217;s an interesting new Italian film&#8230; <strong>La Casa nel Vento dei Morti<\/strong>, directed by Francesco Campanini and, of all people, Francesco Barilli, who made <strong>The Perfume of the Lady in Black<\/strong> way back in the early seventies. Barilli, who also works irregularly as an actor, also co-stars (as he did in Campanini&#8217;s previous production,<strong> Il solitario<\/strong>, a crime film which unfortunately I haven&#8217;t seen). The plot, apparently, goes like this:<\/p>\n<p>Italy 1947. Attilio is a former Fascist movie star who has been disgraced. In desperation, he joins a band of robbers to carry out a burglary. Afterwards, he and his friends are hunted by the police and escape to the hills to hide out. They take refuge in a house that proves to be a death trap.<\/p>\n<p>Reviews have been, well, middling. According to one reviewer on the IMDB: &#8220;If there was a bottom10 list for Italian horror movies, <strong>La casa nel vento dei morti<\/strong> would rule it for centuries&#8221;. Corriere della sella disagrees: &#8220;In the sad procession of cheap horror films, a nice exception. It&#8217;s a convincing departure from a noir, being set in Italy in 1946, it [emulates] certain films by Avati (as is quoted in the title, but not reproduced verbatim). Despite the many slips it&#8217;s a game effort thanks to actors convinced.&#8221;<\/p>\n<p>As well as Barilli, the cast also includes Luca Magri (also from <strong>Il solitario<\/strong>) and a load of people I haven&#8217;t heard of.<\/p>\n<p>Here&#8217;s a trailer:<\/p>\n<p><iframe loading=\"lazy\" src=\"http:\/\/www.youtube.com\/embed\/oZdlth1DS_c?rel=0\" frameborder=\"0\" width=\"560\" height=\"315\"><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Holy heck, here&#8217;s an interesting new Italian film&#8230; La Casa nel Vento dei Morti, directed by Francesco Campanini and, of all people, Francesco Barilli<\/p>\n","protected":false},"author":1,"featured_media":3052,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[997,998],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/3051"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=3051"}],"version-history":[{"count":4,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/3051\/revisions"}],"predecessor-version":[{"id":3662,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/3051\/revisions\/3662"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media\/3052"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=3051"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=3051"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=3051"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}