{"id":3090,"date":"2012-05-22T12:42:57","date_gmt":"2012-05-22T12:42:57","guid":{"rendered":"http:\/\/www.thewildeye.co.uk\/blog\/?p=3090"},"modified":"2015-07-27T12:33:39","modified_gmt":"2015-07-27T12:33:39","slug":"who-was-krista-nell","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/performers-directors\/who-was-krista-nell\/","title":{"rendered":"Who was… Krista Nell"},"content":{"rendered":"
\"Giacomo<\/a>
Giacomo Rossi Stuart and Krista Nell<\/figcaption><\/figure>\n

Considering that she appeared in over 35 films between 1965 and 1975 – many of which have gone on to become firm cult favourites over the years – it’s amazing that so little is known about Austrian actress Krista Nell. Born as Doris Kristanell in 1946, she started her film career in France with an uncredited role in Pierrot le Fou<\/strong> (65) and used the pseudonym Christa Nelli in a handful of low budget productions like Massacre pour une orgie<\/strong> (66). It didn’t take long, though, for her to make her way to Rome, where there was a constant appetite for attractive actresses to appear in low budget b-movies; and she fitted into the milieu with some vigour. Flitting between Italy and Spain she often made four or five films a year, ranging from westerns to spy films, from jungle adventures to horror movies. She wasn’t usually the main star, but often had important secondary roles.<\/p>\n

Most of the productions she appeared in were low budget and ignored by the mainstream critics, but with time they’ve found a second life on video and DVD. Among her most notable appearances were: The Million Eyes of Su-Muru<\/strong> (67), Blindman<\/strong> (71), Feast for the Devil<\/strong> (71) and So Sweet So Dead<\/strong> (72). She was probably more active in the decameroticon genre than any other, appearing in Decameroticus<\/strong>, Decameron II<\/strong>, Sexy Sinners<\/strong>, Le calde notti del Decameron<\/strong> (all in 1972) and Roman Scandals ’73<\/strong> and Le amorose notti di Ali Bab<\/strong>a (in 1973).<\/p>\n

Tragically she died at the age of 29 in 1975, a victim of leukemia, and she was forced to switch to a supporting role in her last film, The Bloodsucker Leads the Dance<\/strong>, because of her illness. Prior to that she had been the long term companion of Italian actor Ettore Manni, who had forged a similarly busy career in B-Movies of the time and later committed suicide, partially because he wasn’t able to overcome his grief (they appeared together in the unforgettable Jungle Master<\/strong> (72), Arrivano Django e Sartana… \u00e8 la fine<\/strong> and Les belles au bois dormantes<\/strong> (both 70)). Unfortunately because of her early death there’s very little existing interview or biographical information about her. If I can find anything more about her, I will post it here… in the meantime, if you have anything to add, please comment below!<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Considering that she appeared in over 35 films between 1965 and 1975 – many of which have gone on to become firm cult favourites over the years – it’s amazing that so little is known about Austrian actress Krista Nell. <\/p>\n","protected":false},"author":1,"featured_media":3131,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[324,1212,7],"tags":[1014,1013],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/3090"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=3090"}],"version-history":[{"count":9,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/3090\/revisions"}],"predecessor-version":[{"id":3132,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/3090\/revisions\/3132"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media\/3131"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=3090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=3090"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=3090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}