{"id":311,"date":"2008-08-08T14:22:03","date_gmt":"2008-08-08T14:22:03","guid":{"rendered":"http:\/\/europeanfilmreview.co.uk\/blog\/?p=311"},"modified":"2008-08-08T14:22:03","modified_gmt":"2008-08-08T14:22:03","slug":"the-big-risk-aka-classe-tous-risques","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/latest-news\/the-big-risk-aka-classe-tous-risques\/","title":{"rendered":"The Big Risk aka Classe tous risques"},"content":{"rendered":"<p><a href=\"http:\/\/europeanfilmreview.co.uk\/blog\/wp-content\/themes\/mimbo2.2\/images\/classe.jpg\" onclick=\"javascript:_gaq.push(['_trackEvent','outbound-article','http:\/\/europeanfilmreview.co.uk']);\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-full wp-image-312\" style=\"border: 1px solid black; float: right; margin: 5px; padding: 1px\" title=\"classe\" src=\"http:\/\/europeanfilmreview.co.uk\/blog\/wp-content\/themes\/mimbo2.2\/images\/classe.jpg\" alt=\"The Big Risk poster\" width=\"237\" height=\"370\" \/><\/a><\/p>\n<p>Director: Claude Sautet<br \/>\nCast: Lino Ventura (<em>Abel Davos<\/em>), Sandra Milo (<em>Liliane<\/em>), Jean-Paul Belmondo (<em>Eric Stark<\/em>), Marcel Dalio (<em>Arthur Gibelin<\/em>), Michel Ardan (<em>Riton Vintran<\/em>), Simone France (<em>Therese Davos<\/em>), Mich\u00e8le M\u00e9ritz (<em>Sophie Fargier<\/em>), Stan Krol (<em>Raymond<\/em>), Evelyne Ker, Betty Schneider (<em>La petite bonne<\/em>), France Asselin (<em>Madame Vintran<\/em>), J.P. Zola [Jean-Pierre Zola], Sylvain L\u00e9vignac, Jeanne P\u00e9rez (<em>Jacqueline Chapuis<\/em>), Ren\u00e9 G\u00e9nin (<em>Chapuis<\/em>), Charles Blavette (<em>B\u00e9nazet<\/em>), Aim\u00e9 de March [Philippe March], Corrado Guarducci (<em>Ferucci<\/em>), Robert Desnoux (<em>Pierrot, l&#8217;enfant<\/em>), Thierry Lavoye (<em>Daniel, l&#8217;enfant<\/em>), Claude Cerval (<em>Raoul Fargier<\/em>), Jacques Dacqmine (<em>Blot<\/em>)<br \/>\nUncredited (according to IMDB): Bernard Dh\u00e9ran (<em>Blastone<\/em>)<br \/>\nYear: 1960<br \/>\nRelease date: 23\/03\/1960<br \/>\nInternational release dates: In Italia: <strong>Asfalto che scotta<\/strong> (01\/04\/60) &#8211; In Germania Occ.: <strong>Der Panther wird gehetzt<\/strong> (06.05.60 &#8211; 105&#8242;) &#8211; In Gran Bretagna: <strong>The Big Risk<\/strong> (1964 &#8211; 112&#8242;)<br \/>\nCountry: France \/ Italy<br \/>\nProduction companies: Films Od\u00e9on, Paris (Francia), Filmsonor, Paris (Francia), Mondex Films, Paris (Francia), Zebra Film (Italy).<br \/>\nStory: Jos\u00e9 Giovanni (novel)<br \/>\nScreenplay: Claude Sautet, Jos\u00e9 Giovanni, Pascal Jardin<br \/>\nCinematography: Ghislain Cloquet<br \/>\nMusic: Georges Delerue<br \/>\nEditor: Albert Jurgenson<br \/>\nPlot: Abel Davis is a criminal, hunted in Italy. The police are closing in, so he and his pal Raymond arrange to flee back to France with Abel&#8217;s wife, Th\u00e9r\u00e8se, and their two young sons. Abel and Raymond commit a brazen robbery to get funds, killing two men; in the escape, more die. Abel arrives in Nice with the boys, calls his pals in Paris, and gets the brush-off. Reluctantly, they send a stranger, Eric Stark, to bring Abel to Paris, but he&#8217;s getting the message he&#8217;s on his own. Honor, friendship, and debt now count for little. What can Abel, a wanted man with two small children and only Stark as a friend, do? &#8220;Never give ground,&#8221; he tells Eric, but how long can he hold to his code? (IMDB)<\/p>\n<p>Notes: Like many of the early Italian crime films of the 1960s, this was a French co-production which didn&#8217;t have a great deal on input from the Italian side. It is partly set in Milan and features Sandra Milo, who made her name in Italian cinema, but that&#8217;s about it. Still, it&#8217;s supposed to be a great film, and stands as the first crime film of the 60s with any Italian involvement.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Like many of the early Italian crime films of the 1960s, this was a French co-production which didn&#8217;t have a great deal on input from the Italian side.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[304,306,305,303],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/311"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=311"}],"version-history":[{"count":0,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/311\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=311"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}