{"id":319,"date":"2008-08-12T09:38:18","date_gmt":"2008-08-12T09:38:18","guid":{"rendered":"http:\/\/europeanfilmreview.co.uk\/blog\/?p=319"},"modified":"2008-08-26T08:52:14","modified_gmt":"2008-08-26T08:52:14","slug":"rip-giacinto-bonacquisti","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/latest-news\/rip-giacinto-bonacquisti\/","title":{"rendered":"R.I.P. Giacinto Bonacquisti"},"content":{"rendered":"<p>Giacinto Bonacquisti was a scriptwriter who was also known to step occassionally in front of the camera and also directed a handful of films.  His initial industry experience was as an &#8216;accomplice&#8217; to Bruno Mattei, with whom he worked on <strong>Love Sacrifice <\/strong>(76, as writer), <strong>SS Girls <\/strong>(77, as writer and assistant director) and <strong>SS Extermination Love Camp <\/strong>(77, as writer and assistant director).  After working on Gianni Martucci&#8217;s <strong>Blazing Flowers<\/strong>, he directed three films over a twelve year period, all of which remain obscure.  <strong>L&#8217;albero della maldicenza <\/strong>(79) was a drama about five young men living in the mountains of Lazio and passing time, starring Marc Porel and Al Cliver (both of whom had featured in <strong>Blazing Flowers<\/strong>).  <strong>Briganti <\/strong>(83), was a historical adventure about a young shepherd (Roberto Mura), who kills his fiancee&#8217;s brother and is forced to take refuge in the mountains, joining up with a group of brigands.  And trhe 1991 film <strong>Escurial <\/strong>is so obscure that I can&#8217;t even find any plot information.  None of these seem to have received any kind of international release.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Giacinto Bonacquisti was a scriptwriter who was also known to step occassionally in front of the camera and also directed a handful of films. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[311],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/319"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=319"}],"version-history":[{"count":0,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/319\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=319"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=319"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=319"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}