{"id":35,"date":"2008-01-08T11:04:04","date_gmt":"2008-01-08T11:04:04","guid":{"rendered":"http:\/\/thewildeye.co.uk\/2008\/01\/08\/mario-pinzauti\/"},"modified":"2008-01-08T11:04:04","modified_gmt":"2008-01-08T11:04:04","slug":"mario-pinzauti","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/latest-news\/mario-pinzauti\/","title":{"rendered":"Mario Pinzauti"},"content":{"rendered":"<p>Mario Pinzauti has long been one of my favourite, obscure, micro-budget Italian filmmakers. His films might not be all that great &#8211; there&#8217;s no way you could describe such overripe nonsense as <b>Due Magnum per un citta di corogna<\/b> or <b>Mandinga <\/b>as classics &#8211; but they&#8217;re usually pretty enjoyable, in slightly wayward fashion. Most of them are pretty difficult to track down nowadays, and hardly any are available in English (and it&#8217;s unlikely that they ever will be).<\/p>\n<p>Well, it turns out that as well as being a film director, he was also a rather succesful pulp fiction author, writing well over 100 spy, horror and thriller novels under a variety of pseudonyms (most commonly Harry Small). There&#8217;s a really interesting article about <a href=\"http:\/\/www.clubghost.it\/articoli\/c\/leeder-.htm\" onclick=\"javascript:_gaq.push(['_trackEvent','outbound-article','http:\/\/www.clubghost.it']);\" target=\"_blank\">Pinzauti&#8217;s writing career<\/a> on the clubghost.it website (in Italian only, I&#8217;m afraid). He wasn&#8217;t the only director to also work as a novelist; Maurizio Pradeaux also spent a good couple of years writing for Fumetti&#8217;s in the early 70s (during the slight downturn in the Italian Film industry that occurred between c1968-72.<\/p>\n<p>It&#8217;s interesting, though, that he seems to have only really written films that he also directed, rather than being a scriptwriter for hire. I wonder why?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mario Pinzauti has long been one of my favourite, obscure, micro-budget Italian filmmakers. His films might not be all that great &#8211; there&#8217;s no&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/35"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=35"}],"version-history":[{"count":0,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/35\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=35"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=35"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}