{"id":390,"date":"2008-09-10T10:41:13","date_gmt":"2008-09-10T10:41:13","guid":{"rendered":"http:\/\/europeanfilmreview.co.uk\/blog\/?p=390"},"modified":"2008-09-10T10:54:15","modified_gmt":"2008-09-10T10:54:15","slug":"un-giorno-perfetto","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/latest-news\/un-giorno-perfetto\/","title":{"rendered":"Un giorno perfetto"},"content":{"rendered":"<p><a href=\"http:\/\/europeanfilmreview.co.uk\/blog\/wp-content\/themes\/mimbo2.2\/images\/ungiornoperfetto_31.jpg\" onclick=\"javascript:_gaq.push(['_trackEvent','outbound-article','http:\/\/europeanfilmreview.co.uk']);\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-full wp-image-392\" style=\"border: 1px solid black; float: right; margin: 5px; padding: 1px\" title=\"ungiornoperfetto_31\" src=\"http:\/\/europeanfilmreview.co.uk\/blog\/wp-content\/themes\/mimbo2.2\/images\/ungiornoperfetto_31.jpg\" alt=\"Un giorno perfetto\" width=\"200\" height=\"286\" \/><\/a><strong>Un giorno perfetto<\/strong> is the new film from Ferzan Ozpetek, one of the more respected of the &#8216;new breed&#8217; of Italian directors (he made <strong>Sacred Heart<\/strong>, which won numerous awards and is available on UK DVD).  The story is, like <strong>Gomorra<\/strong>, made up of several intersecting narratives, told in flashback, all of which combine at the climax in a tragic finale.  The cast includes Isabella Ferrari (from <strong>Caos calmo<\/strong>) and Valerio Mastandrea (from <strong>The Nest<\/strong>) as a seperated couple, Monica Guerritore as a professor and Stefania Sandrelli.<\/p>\n<p>It&#8217;s a high profile release, and it&#8217;s done pretty well &#8211; taking about 800,000 euros &#8211; in its first week (although not nearly so well as <strong>Gomorra<\/strong>, which was one of the biggest non-comedy releases in recent years).  I&#8217;d expect this to come out on DVD internationally and hit lots of festivals over the coming months.  Sounds interesting, if a bit melodramatic&#8230; but there&#8217;s nothing wrong with Italian cinema audiences re-discovering their taste for melodrama!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un giorno perfetto is the new film from Ferzan Ozpetek, one of the more respected of the &#8216;new breed&#8217; of Italian directors (he made&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[366,365],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/390"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=390"}],"version-history":[{"count":0,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/390\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=390"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=390"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=390"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}