{"id":393,"date":"2008-09-10T10:53:53","date_gmt":"2008-09-10T10:53:53","guid":{"rendered":"http:\/\/europeanfilmreview.co.uk\/blog\/?p=393"},"modified":"2008-09-10T10:55:48","modified_gmt":"2008-09-10T10:55:48","slug":"il-seme-della-discordia","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/latest-news\/il-seme-della-discordia\/","title":{"rendered":"Il seme della discordia"},"content":{"rendered":"<p><a href=\"http:\/\/europeanfilmreview.co.uk\/blog\/wp-content\/themes\/mimbo2.2\/images\/ilsemedelladiscordia_3.jpg\" onclick=\"javascript:_gaq.push(['_trackEvent','outbound-article','http:\/\/europeanfilmreview.co.uk']);\"><img decoding=\"async\" loading=\"lazy\" class=\"alignright size-full wp-image-394\" style=\"border: 1px solid black; float: right; margin: 5px; padding: 1px\" title=\"ilsemedelladiscordia_3\" src=\"http:\/\/europeanfilmreview.co.uk\/blog\/wp-content\/themes\/mimbo2.2\/images\/ilsemedelladiscordia_3.jpg\" alt=\"Il seme della discordia poster\" width=\"200\" height=\"286\" \/><\/a>It&#8217;s not quite as succesful a release as <a href=\"http:\/\/europeanfilmreview.co.uk\/blog\/2008\/09\/un-giorno-perfetto\/\" onclick=\"javascript:_gaq.push(['_trackEvent','outbound-article','http:\/\/europeanfilmreview.co.uk']);\" target=\"_self\"><strong>Un giorno perfetto<\/strong><\/a>, but <strong>Il seme della discordia <\/strong>has been doing reasonable business in its opening week(it&#8217;s taken just under \u20ac300,000 as opposed to <strong>Un giorno perfetto<\/strong>&#8216;s c\u20ac830).  As a curious coincidence, both films feature Monica Guerritore (who&#8217;s definitely a very different actress now to how she was in films like <strong>Scandalous Gilda <\/strong>and <strong>Evil Senses<\/strong>) and Isabella Ferrari. The leads here, though, are Alessandro Gassman (Vittorio&#8217;s nipper) and Caterina Murino (who was in <strong>Casino Royale <\/strong>and <strong>St. Trinians<\/strong>!<\/p>\n<p>This one is a comedy, directed by Pippo Corsicato, who&#8217;s had some domestic success &#8211; both critically and at the box office &#8211; with the likes of <strong>Chimera <\/strong>(2001).  There&#8217;s a decent review in <a href=\"http:\/\/www.screendaily.com\/ScreenDailyArticle.aspx?intStoryID=40524\" onclick=\"javascript:_gaq.push(['_trackEvent','outbound-article','http:\/\/www.screendaily.com']);\" target=\"_blank\">Screen Daily<\/a>, to quote the beginning of which&#8230;<\/p>\n<blockquote><p><strong>Neapolitan director Pappi Corsicato conjures up the spirit but little of the dramatic and thematic depth of his acknowledged master Pedro Almodovar in this bright but lightweight comedy-melodrama. But though its afterglow is short-lived, Corsicato&#8217;s amusing little film still came as a pleasant surprise at the end of a humdrum Venice. With its sexy Mediterranean attitude, kitsch production design and terrific retro soundtrack it represents a return to form for one of Italy&#8217;s least solemn indie auteurs.<\/strong><\/p>\n<p>A star turn from former Bond girl Caterina Murino proves that the Sardinian actress has a Sophia Loren-like talent for sexy comedy that has been notably lacking in previous heirs to the throne such as Maria Grazia Cucinotta. Murino&#8217;s uncomplicated sex appeal, together with some enjoyable supporting stints by Italian stars Alessandro Gassman, Isabella Ferrari and Martina Stella should make this September 5 release easily the best-received of Corsicato&#8217;s films on home ground, especially with the marketing muscle of top Italian distributor Medusa behind it. Elsewhere it will be more of a niche product, though with its irreverent pop Catholic aesthetic, Spain and Latin America could be key markets.<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>It&#8217;s not quite as succesful a release as Un giorno perfetto, but Il seme della discordia has been doing reasonable business in its opening&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[367,368],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/393"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=393"}],"version-history":[{"count":0,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/393\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=393"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=393"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}