{"id":3953,"date":"2015-02-14T18:19:35","date_gmt":"2015-02-14T18:19:35","guid":{"rendered":"http:\/\/www.thewildeye.co.uk\/blog\/?p=3953"},"modified":"2015-07-27T12:36:02","modified_gmt":"2015-07-27T12:36:02","slug":"a-d-project","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/reviews\/a-d-project\/","title":{"rendered":"A.D. Project"},"content":{"rendered":"<figure id=\"attachment_3954\" aria-describedby=\"caption-attachment-3954\" style=\"width: 300px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/ad-project.jpg\" ><img decoding=\"async\" loading=\"lazy\" class=\"wp-image-3954\" src=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/ad-project.jpg\" alt=\"AD Project\" width=\"300\" height=\"424\" srcset=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/ad-project.jpg 420w, http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/ad-project-62x88.jpg 62w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-3954\" class=\"wp-caption-text\">AD Project<\/figcaption><\/figure>\n<p>I always wondered what had happened to Eros Puglielli, the director of the revivalist giallo <strong>Eyes of Crystal<\/strong> in 2004. It was a good enough film to hint that he would go on to better things, but such is the state of the Italian film industry that it was not to be: he now works in television and was recently behind the acclaimed series <strong>Baciamo le mani: Palermo-New York 1958<\/strong>. But before moving his focus completely to the small screen he also made <strong>AD Project<\/strong> (2006), a micro-budgeted production which was released straight to DVD.<\/p>\n<p>The story follows a group of seemingly random characters who congregate in a small town where some mysterious stuff is going down. There&#8217;s actor Marco (Marco Bonini), just arrived\u00a0for an audition with his frustrated girlfriend (Giovanna Mezzogiorno) in tow; an experimental psychiatrist (Giorgio Albertazzi) whose latest patient (Eleonora Mazzoni) seems to have experienced some kind of unknown trauma and is frankly rather scaring him; her husband (Cristiano Callegaro), who owes money to a mysterious organisation; and a weird porn website owner (Emiliano Reggente). Events slowly build towards a climax at some deserted out of town buildings which are protected by a weird area of high pressure and a shadowy character called &#8216;the guardian&#8217;.<\/p>\n<p><strong>A.D. Project<\/strong> can&#8217;t be faulted for it&#8217;s ambition. Its budget ($356 according to IMDB) was provided by the cast and crew, who also all act as co-producers, and it was distributed straight to magazine kiosks throughout Italy. Given its limited means, it&#8217;s an audacious attempt to do a Dvaid Lynch style story of fractured narratives, weird events and alienated characters. It&#8217;s well shot with cinematography that would put many bigger budget features to shame and a suitably creepy atmosphere. Perhaps unsurprisingly the acting can be shakey, the script is often confusing and it seems to run out of steam towards the end. But despite this it&#8217;s a laudable effort, and again makes it all the more surprising that Puglielli hasn&#8217;t gone on to a more glittering career.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I always wondered what had happened to Eros Puglielli, the director of the revivalist giallo Eyes of Crystal in 2004. Well, he also made AD Project, a micro-budgeted 2006 production which was released straight to DVD<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1175,1212,8],"tags":[1198,1199,798,1200],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/3953"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=3953"}],"version-history":[{"count":1,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/3953\/revisions"}],"predecessor-version":[{"id":3955,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/3953\/revisions\/3955"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=3953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=3953"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=3953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}