{"id":4142,"date":"2015-11-23T21:03:50","date_gmt":"2015-11-23T21:03:50","guid":{"rendered":"http:\/\/www.thewildeye.co.uk\/blog\/?p=4142"},"modified":"2015-11-19T21:04:31","modified_gmt":"2015-11-19T21:04:31","slug":"hollow","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/british-cinema\/hollow\/","title":{"rendered":"Hollow"},"content":{"rendered":"<p>Director: Michael Axelgaard<br \/>\nWriter: Matthew Holt<br \/>\nStars: Emily Plumtree, Sam Stockman, Jessica Ellerby<\/p>\n<p>Trees. They don&#8217;t have a auspicious role in the history of horror do they. Sinister and creepy as they might be, on the big screen they don&#8217;t really seem, well, all that frightening. Possibly because cinema is all about movement &#8211; or if you&#8217;re a pedant the inter-relationship between movement and stillness &#8211; so having great big lumps of wood that don&#8217;t move isn&#8217;t all that scary, no matter how gnarly the trees concerned actually are. So you get films like <strong>The Guardian<\/strong> (embarrassing), <strong>The Wicker Tree<\/strong> (disappointing), <strong>From Hell it Came<\/strong> (funny) and <strong>Island of the Doomed<\/strong> (deranged). Ok, so there are some decent moments of arboreal anxiety in <strong>The Evil Dead<\/strong>, but otherwise they&#8217;ve probably best been represented by the macabre tree hanging with corpses in <strong>Excalibur<\/strong> and &#8211; at a stretch &#8211; the <strong>Dr Who<\/strong> story The Seeds of Doom (which frightened the cr*p out of me as a kid).<\/p>\n<figure id=\"attachment_4143\" aria-describedby=\"caption-attachment-4143\" style=\"width: 250px\" class=\"wp-caption alignright\"><a href=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/hollow-poster.jpg\" ><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-4143\" src=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/hollow-poster.jpg\" alt=\"Hollow, directed by Michael Axelgaard\" width=\"250\" height=\"359\" srcset=\"http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/hollow-poster.jpg 250w, http:\/\/www.thewildeye.co.uk\/blog\/wp-content\/uploads\/hollow-poster-61x88.jpg 61w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/a><figcaption id=\"caption-attachment-4143\" class=\"wp-caption-text\">Hollow, directed by Michael Axelgaard<\/figcaption><\/figure>\n<p>All of which brings us on to <strong>Hollow<\/strong>, yet another in the stream of found footage horror films that have been clogging up the shelves at the Amazon warehouses over the past few years. <strong>Hollow<\/strong> is a story about a creepy tree in Suffolk &#8211; Suffolk, of course, being frightening enough in its own right the addition of dangerous vegetation &#8211; which somehow amplifies the negative emotions of anyone who goes near it, causing people to become suicidal or go mad. There&#8217;s also some kind of ghost affiliated to it, but this is rapidly forgotten about, leaving us instead to follow the demise of a fractious group of twentysomethings who are on holiday in the area.<\/p>\n<p>This is a bit of a frustrating production. It&#8217;s decently made &#8211; or as much as a found footage film can be &#8211; and has a good\u00a0sense of atmosphere. The characters are well written and the performances are above average for this kind of thing. But, but, but&#8230; the central premise is just so dumb and lacking in originality it&#8217;s hard to treat it seriously. As a result it feels entirely insubstantial, just another filler in a genre already overstuffed with fillers; and frankly I&#8217;ve had more than enough found footage horror films to last me lifetime (and not many of them are any good). But there&#8217;s enough there to suggest that director Michael Axelgaard could do something a lot better if given some decent material.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Trees. They don&#8217;t have a auspicious role in the history of horror do they. Sinister and creepy as they might be, on the big screen they don&#8217;t really seem, well, all that frightening. <\/p>\n","protected":false},"author":1,"featured_media":4144,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1214],"tags":[1239],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/4142"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=4142"}],"version-history":[{"count":1,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/4142\/revisions"}],"predecessor-version":[{"id":4145,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/4142\/revisions\/4145"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media\/4144"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=4142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=4142"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=4142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}