{"id":4208,"date":"2015-11-30T21:06:34","date_gmt":"2015-11-30T21:06:34","guid":{"rendered":"http:\/\/www.thewildeye.co.uk\/blog\/?p=4208"},"modified":"2015-11-25T21:33:27","modified_gmt":"2015-11-25T21:33:27","slug":"in-the-name-of-the-law-italian-crime-films-from-1945-to-1969","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/latest-news\/in-the-name-of-the-law-italian-crime-films-from-1945-to-1969\/","title":{"rendered":"In the Name of the Law – Italian Crime Films from 1945 to 1969"},"content":{"rendered":"

It’s been a while, but I’m finally ready to announce that a new WildEye publication is on the way!\u00a0In the Name of the Law – Italian Crime Films from 1945 to 1969 is the third WildEye book, following Giorgio Ardisson: The Italian Jame Bond<\/a> and the now out-of-print Fantastikal Diabolikal Supermen<\/a>. Here’s the blurb…<\/p>\n

During the 1970s Italian cinema discovered crime. Inspired by the likes of Dirty Harry<\/strong> and The French Connection<\/strong>, numerous producers and directors rushed rushed their own cop and gangster movies (or poliziotteschi, as they became known) into production. But it wasn\u2019t a phenomena that emerged out of nowhere and it wasn\u2019t entirely due to trans-Atlantic influence. Indeed, crime (or criminality) had already been an important feature of hundreds of Italian films, from the neo-realist classics of the 1940s to neo-noirs made two decades later.<\/p>\n

This book is an exploration of this murky area; a look at films either respected or forgotten which can authentically claim to be antecedents of the poliziotteschi. In doing so it charts the progress of the genre while it was still in the process of discovering its ideal form. So buckle up your seat-belts and get ready to meet the assorted delinquents, bandits and mafiosi who were to be found in Italian films between 1945 and 1969.<\/p>\n

A bit of context: I started working on this book about four years ago, when it was initially intended to be the first in a three part examination of the poliziotteschi genre. At around the time I finished this first section, Roberto Curti released his Italian Crime Filmography, 1968-1980<\/a>. Damn you Roberto! No, seriously, Roberto’s book is really excellent, and it made doing the second and third part of the trilogy rather redundant, at least for the moment. However, I think this part, which largely covers the period\u00a0before\u00a0<\/em>Roberto’s book, is still very worthwhile in it’s own right: you can think of it as a prequel, but by a different director. In fact, I find a lot of the films covered here just as – if not more – interesting as the more familiar seventies crime films; and\u00a0where else would\u00a0you find essays on the likes of\u00a0Passport For\u00a0A Corpse<\/strong>,\u00a0Barriers of the Law\u00a0<\/strong>and\u00a0Gente d’onore\u00a0<\/strong>(as well as more acclaimed but sadly oft-forgotten\u00a0gems such as\u00a0Bandits of Orgosolo\u00a0<\/strong>and\u00a0Bitter Rice<\/strong>).<\/p>\n

Anyway, I’m hoping to have it available early in the New Year (i.e. late January). It’s 224 pages long,\u00a0Royal size (234mm x 156mm), with a nice glossy\u00a0cover and 8 pages in colour. As usual, it’s packed with rare artworks, trivia about the films and…. well, all the usual. More news as it comes…<\/p>\n","protected":false},"excerpt":{"rendered":"

It’s been a while, but I’m finally ready to announce that a new WildEye publication is on the way! In the Name of the Law – Italian Crime Films from 1945 to 1969 is the third WildEye book<\/p>\n","protected":false},"author":1,"featured_media":4209,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[1258],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/4208"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=4208"}],"version-history":[{"count":2,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/4208\/revisions"}],"predecessor-version":[{"id":4212,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/4208\/revisions\/4212"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media\/4209"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=4208"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=4208"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=4208"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}