{"id":577,"date":"2008-11-24T11:13:10","date_gmt":"2008-11-24T11:13:10","guid":{"rendered":"http:\/\/europeanfilmreview.co.uk\/blog\/?p=577"},"modified":"2008-11-24T11:13:10","modified_gmt":"2008-11-24T11:13:10","slug":"rip-paolo-solvay","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/latest-news\/rip-paolo-solvay\/","title":{"rendered":"R.I.P. Paolo Solvay"},"content":{"rendered":"<p>News just filtering through that Paolo Solvay, one of the iconic directors of Italian z-grade films of the sixties and seventies, had died.<\/p>\n<p>Solvay had been an actor, appearing in several low budget features (such as Roberto Mauri&#8217;s <strong>Slaughter of the Vampires <\/strong>(62)) before moving behind the cameras with the obscure 1966 film <strong>Tre franchi di piet\u00e0<\/strong>.  His heyday, though, was the seventies, when he churned out films in a variety of genres: spaghetti westerns (<strong>Even Django Has His Price <\/strong>(71)), war films (<strong>When the Bell Tolls <\/strong>(70)), nunsploitation (Confessioni segrete di un convento di clausura, 72) and crime (<strong>Blackmail<\/strong> (74)).  As the decade progressed, his work became increasingly sleazy, culminating in the notorious <strong>The Beast in Heat<\/strong>, in which a depraved doctor in a Nazi death camp creates a sex-addicted, dwarf monster with a tatse for pubic hair.  After that particular pinnacle, though, he only made a couple more films, two of which &#8211; <strong>Proibito erotico <\/strong>and <strong>Gymkata Killer <\/strong>&#8211; there is some doubt as to his actual level of involvement.<\/p>\n<p>Solvay was one of a group of filmmakers &#8211; along with the aforementioned Roberto Mauri and Alfredo Rizzo &#8211; who often appeared in each others productions.  The films may not have been any good, but they have a kind of compulsive fascination.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>News just filtering through that Paolo Solvay, one of the iconic directors of Italian z-grade films of the sixties and seventies, had died. Solvay&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[293,502],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/577"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=577"}],"version-history":[{"count":0,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/577\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=577"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=577"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=577"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}