{"id":634,"date":"2008-02-12T15:59:29","date_gmt":"2008-02-12T15:59:29","guid":{"rendered":"http:\/\/thewildeye.co.uk\/?p=70"},"modified":"2008-02-12T15:59:29","modified_gmt":"2008-02-12T15:59:29","slug":"caos-calmo-non-ce-piu-niente-da-fare-2","status":"publish","type":"post","link":"http:\/\/www.thewildeye.co.uk\/blog\/latest-news\/caos-calmo-non-ce-piu-niente-da-fare-2\/","title":{"rendered":"Caos calmo, Non c&#8221;e piu&#8221; niente da fare"},"content":{"rendered":"<p>A couple of new  films released in Italy this week&#8230;<\/p>\n<p><strong>Caos Calmo<\/strong> is the new Nanni Moretti film, and did pretty well at the festivals last year.  Hardly surprising&#8230; it sounds like the kind of production that was put together to win awards as much as audiences.  Moretti plays Pietro Paladini, a man whose wife has died in an accident, and details the ways in which he and his young daughter come to terms with their loss.  I&#8221;m sure this is a fabulous film and all that, but it&#8221;s not really something I can get particularly excited about.  The director is Antonello Grimaldi and it also stars Valeria Golino (who&#8221;s had a rather strange career), Vittorio Gassman&#8221;s kid Alessandro and Hippolyte Girardot (from <strong>Manon des sources <\/strong>and much, much more)<\/p>\n<p><strong>Caos calmo<\/strong>&#8221;s been doing pretty well at the box office (it was the top film last week), but <strong>Non c&#8221;e piu&#8221; niente da fare<\/strong><strong> <\/strong>has only opened on a paltry 39 screens and has only taken just over 20,000 Euros.  A comedy about an amateur theatre group whose members overcome the problems of their daily lives through acting and their desperate attempts to keep their theatre open, it&#8221;s directed by Emanuele Barresi and has a largely unfamiliar cast.  One that&#8221;s unlikely to travel outside of Italy, I would suspect.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A couple of new films released in Italy this week&#8230; Caos Calmo is the new Nanni Moretti film, and did pretty well at the&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[32,174],"_links":{"self":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/634"}],"collection":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/comments?post=634"}],"version-history":[{"count":0,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/posts\/634\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/media?parent=634"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/categories?post=634"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.thewildeye.co.uk\/blog\/wp-json\/wp\/v2\/tags?post=634"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}