British ghost stories tend to break down into two basic types. On the one hand, you have your ‘gothic’ haunted house horrors, which are generally set in enormous country piles and often – although not always – in the past.
Although it never quite manages to overcome the limitations of its budget, Godforsaken is a step up from other films of similar means because it’s skilfully shot, features an excellent soundtrack by Deborah Mollison (who also scored East is East) and acting of a much higher calibre than usual.
The unfortunate PC. Rachel Heggie (Pollyanna McIntosh) chooses possibly the worst day possible to start a new job at an end-of-nowhere outpost in rural Scotland.
You have to frankly applaud anybody who tries to make a dinosaur movie on a budget of half a takeaway pizza and a couple of postage stamps. So the writer / director Steve Lawson – a familiar figure in the world of contemporary British horror thanks
One of the problems faced by British filmmakers – or more particularly English filmmakers – when making a horror movie is that, to be honest, it’s very difficult to think of anywhere… out of the way.
Low is a fairly good example of the recent micro-budgeted horror films which have recently been springing up in the UK. Good in that it exemplifies many of their strengths and failures, and good in that it’s one of the more interesting and better made of its type.
The Haunting of Harry Payne, aka Evil Never Dies, is a film that’s been bubbling around for several years before eventually dribbling onto DVD