Carlo Lizzani

Nicoletta Machiavelli and Henry Silva in The Hills Run Red

The Hills Run Red

The Hills Run Red is a rather mediocre production, which is especially disappointing considering that it comes from such an estimable team. Ennio Morricone, who contributes a good soundtrack (with the exception of a truly execrable saloon bar song), needs no introduction and talented filmmaker Carlo Lizzani was already a respected name in the industry

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Bitter Rice

Giuseppe De Santis’s 1949 classic Bitter Rice holds up amazingly well today, better than most of the neo-realist classics of its time, partially because of its cinematic prowess.

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Black Turin – Review

Black Turin is a peculiar mixture of boys adventure film and mafia movie, a cross between the kind of stuff that the Children’s Film Foundation used to churn out and a Francesco Rosi film.

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Gobbo, Il

Despite its wartime setting, Il gobbo deserves consideration in any study of Italian crime cinema. Not only was it directed by Carlo Lizzani, who would go on to become one of the leading lights of the genre as the 1960s progressed, but also – with its outlaw protagonist, breakneck pacing and realistic backdrop – it exerted a huge influence on numerous films to follow.

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Scusa ma ti chiamo amore, Hotel Meina

There were a couple of new releases in Italy last week. By far the most succesful is Scusa ma ti chiamo amore, another of those romantic comedies that seem to do so well at the…