George Hilton in A Moment to Kill

The Moment to Kill

October 10, 2017 Matt Blake 1

This was the first in a number of collaborations between George Hilton and director Giuliano Carnimeo (if one excludes the uncertain input that Carnimeo had in I due figli di Ringo, that is). An exemplary example of the wheels-within-wheels school of scriptwriting…

Van Heflin and Gil Roland in The Ruthless Four

The Ruthless Four

September 25, 2017 Matt Blake 2

Here’s a neat little film that encapsulates just about everything that’s good about the Spaghetti Western. There’s a twisty, no-nonsense script (by the reliable Fernando Di Leo and Augusto Caminito, who also collaborated on the twisty, no-nonsense Poker With Pistols)

George Martin, Edd Byrnes and George Hilton in Red Blood Yellow Gold

Professionals for a Massacre

August 22, 2017 Matt Blake 1

Well, if you like Spanish actors playing ugly, insane Mexicans this is the film for you. Laughing maniacally with chicken gizzards dripping from their lips and stale tequila encrusted on their beards, this lot are the most sanitorially challenged bunch I’ve seen

Gil Roland shows his bedside manner in Any Gun Can Play

Any Gun Can Play

August 5, 2017 Matt Blake 1

aka Vado… l’ammazzo e torno (It), Je vais, je tire et je reviens (Fr), Leg ihn um, Django! (WG), Go Kill & Come Back (UK video), […]

George Hilton strikes a familiar pose in George Hilton

Last of the Badmen

July 13, 2017 Matt Blake 1

Last of the Badmen is a bit of a favourite of mine, and shows George Hilton at his best with a performance that seems to encapsulate the intriguing divisions within his acting persona.

Murderous games are afoot in The Sweet Body of Deborah

The Sweet Body of Deborah

July 8, 2017 Matt Blake 2

In many ways The Sweet Body of Deborah can be seen as an archetypal pre-Argento giallo. The motivating factors are greed, lust and hatred rather than pseudo-psychological disturbance.