Gian Maria Volonte and incriminating paper trail in Todo Modo

Elio Petri: Todo Modo

March 28, 2017 Matt Blake 0

Elio Petri’s tendency towards obfuscation stepped up yet another gear with Todo modo (76), which is one of the strangest films ever made. Set in the near future, it delineates an Italian society that is run by a coalition between powerful industries, the ‘party’ and – above all – the Catholic Church.

Gian Maria Volontè is suitably low key in Investigation of a Citizen Above Suspicion

Elio Petri: Investigation of a Citizen Above Suspicion

May 20, 2016 Matt Blake 0

For 1969’s Investigation of a Citizen above Suspicion, Elio Petri turned his eye to the then nascent urban crime thriller, a genre that reflected – and some would say preyed upon – the political and economic uncertainties rife in Metropolitan Italy at the time.

Passions rise in We Still Kill the Old Way

Elio Petri: We Still Kill the Old Way

March 13, 2016 Matt Blake 0

After all the high-concept exuberance of The Tenth Victim, We Still Kill the Old Way saw Petri move from sci-fi to the crime genre and, stylistically, marked a return to a more subtle, low-key approach.