A truly memorable Spaghetti Western, A Bullet for Sandoval is unquestionably one of the top ten examples of its type. It exhibits a singularly mean spirited atmosphere as well as an unusual plot that incorporates the ‘revenge for a slaughtered family’ theme in an engrossing and unusual way.
House of Flesh Mannequins is another of those films – like Simon Killer and Ubaldo Terzano Horror Show – which is highly influenced by the likes of Maniac and Henry: Portrait of a Serial Killer…
Although it’s not of the same level of the jump that, say, Johannes Roberts made between Forest of the Damned (2005) and F (2010), Judy (2014) still marks a considerable improvement over both Emanuele De Santi’s previous film Adam Chaplin (2011) and the other productions previously put together by the Necrostorm production company
Two murderers are court-martialed and sentenced to die in front of the firing squad. One (Klaus Kinski) is a looter who had shot a protesting shopkeeper, the other (Rai Saunders) a coloured private who angrily killed a racist colleague.