Director: Edo Tagliavini Writers: Mario Calamita, Virgilio Olivari,, Edo Tagliavini, Taiyo Yamanouchi Stars: Francesca Faiella, Virgilio Olivari, Marco Benevento Not content with merely harking back […]
Monsters: Dark Continent got a bit of a pasting when it was released; inevitable, really, considering that it was a sequel to a film which both critics and audiences had taken an unexpected shine to.
Although made for a preposterously small budget (just twenty thousand euros) and, well, nothing much happening for the entire running time, Francesco Vona’s Esperienza is one of the more effective Italian films that I have seen in recent years.
Considering that the world and it’s dog (and even the dogs favorite stick) are bored to tears with Nazi zombie films, Fallen Soldiers does a neat trick by giving us, well… Napoleonic zombies
The short burst of 1960s ‘Sandokan’ films, based on Emilio Salgari’s most famous literary character, commenced with Umberto Lenzi’s Sandokan the Great (Sandokan, la tigre di Mompracem) in 1963. It proved enough of a moneymaker to spawn two unofficial sequels, produced by Ottavio Poggi for Liber Films and directed by Luigi Capuano, the first of which was Sandokan Fights Back.
Darkest Day answers one of those burning questions that’s at the heart of so many horror films today: what could possibly be worse than a global apocalypse?
It’s not often you come across the Etruscans in Italian films. There were a couple of giallos (The Etruscan Kills Again (72) and Murder in the Etruscan Cemetery (82)), but considering they were a civilization with a very distinct – and often macabre – set of beliefs, it’s surprising that they haven’t been used as cinematic source material more than they have.