Tonino Guerra


Satire... or premonition? Ursula Andress in The Tenth Victim

Elio Petri: The Tenth Victim

Based on a novel by Robert Sheckley, The Tenth Victim represented a marked sea change in Elio Petri’s oeuvre. Gone was the low key, wry approach of his former films: this is a brash, colorful production that exudes extravagance from it’s every pore.


No Picture

The Sin

The Sin is a peculiar old mess of a movie. Part nunsploitation (although lacking nudity and violence, it still plays up to the idea of the nun as an erotic symbol), part star vehicle for Sophia Loren – who makes for one of the most unlikely nuns imaginable – and part political film…