Here’s another Italian language interview with Carlo Ausino, who seems to be getting about a bit nowadays. I wonder whatever happened to his new film, Killer’s Playlist, which I mentioned over a year ago… oh, hold on, here we go:
It’s a shame that this film has had virtually no distribution. It did well in Piedmont: on the opening night there were 150 people who couldn’t get into the cinema. And it played for 15 days in the Pathe in Turin, and there aren’t many films that can do that.